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Showing posts with label Embrace. Show all posts
Showing posts with label Embrace. Show all posts

Wednesday, September 14, 2011

Willingness Vs. Eagerness

What kind of partner do you want to be...What kind of partner do you want to share this experience with?

What is the difference between someone who is willing to go on a date with you and someone who is eager to go on a date with you?

Who would you hire a person willing to do a job or someone eager to join your team?

Who is going to learn to play the guitar faster, the eager student or the one willing to give it a try?

Enthusiasm makes all the difference!

Tuesday, May 4, 2010

Learning Involves Change (Don't Settle for Mediocrity)

During the last six months I have been trying out a new way of walking and I have made a few adjustments to my posture, embrace, and body alignment (more estilo salon, less estilo nuevo, less estilo milonguero), when I started this study of tango I was convinced that the "milonguero" style was the only way that I wanted to dance, later I found freedom of expression and more chance for creativity in the "nuevo" style. I still have those tools in my toy box and will (and do) take them out if the mood strikes me. This is nothing new, I've changed these things constantly over the past seven years all in the name of educating my self and building depth into my Tango, and I've watched as people who were far more experienced than I was have stagnated in their dance to the point where it seems to me that they have not improved at all (these were people I once held in high regard as excellent dancers). I've also witnessed people who started about the same time as I did stop progressing when they settled for one thing or another. How boring it must be to not grow over that many years!

It's impossible to learn anything new if you have already decided that what you are doing is the best, and/or only way. (I've heard it said that you can't add water to a glass that is already full, I like to think of it as getting a bigger bucket to hold several glasses of water). I also feel that adding something new allows a person to focus on the new things and allow the things you have learned in the past to happen automatically without thinking about them. Nature rewards adaptation.

The results of these adjustments are beginning to become second nature and have drastically improved how grounded I feel to myself and the women I dance with often, as well as an improvement in the clarity of my lead to my followers. I also feel that this new style has allowed for more possibility of musical expression for the follower (less about my Tango and more about our Tango). The new style does require the follower to use proper technique (no lazy following) and therefore makes leading easier after the technique becomes second nature to the leader.

One thing that I have noticed over the past maybe three years is that I have not hit any plateaus, just a slow but steady improvement...Where's the Like Button!

Sunday, January 24, 2010

A Different Approach to Learning

A few years ago a friend of mine (Just someone I used to dance with, not an instructor) commented that by learning open embrace I could fix a problem I was working on at the time with my posture and balance, guess what, it worked.
Everything I know about dancing close embrace I learned from dancing open embrace.
Everything I know about dancing open embrace I learned from dancing close embrace.
Everything I know about improvising I learned through patterns and emulating others.
Everything I know about dancing fast I learn by dancing slowly (very slowly).

On a different note,I watched a video produced by a very famous pair of brothers (the Maers) many years ago about learning to downhill ski, they had an interesting teaching technique. Basically because sking (and Tango) is an engramic activity (your brain learns to do it eventually without much conscience thought) it is very difficult to explain how it should feel, they thought it was a good idea to purposely do something "the wrong way" so that your body could learn by comparison what doing it the right way feels like (very easy vs. very hard, natural vs. unnatural, smooth vs. jerky, balanced vs.wobbly)

I have found this to be a very effective learning/teaching method.

Saturday, November 21, 2009

Following (note to self)

(These are notes to myself and will require some experimentation through trail and error)

I danced with several awesome followers this weekend and I am trying to analyze what it was that made those dancers so Delicious while the memory of them is still in my mind!

When following transfer weight smoothly rolling from toe to heel (when walking backwards)inside of foot to center of foot (when doing side steps) heel to toe (when walking forward)try to keep the foot almost horizontal right before landing when taking front or backward steps.

Try and feel the length of stride that your leader is intending, if he is going to do a traspie or syncopa step it will be shorter due to the amount of time it takes to make the step. Better to be a little bit longer than he intended than too short, this will murder the leaders back after one song because he cannot keep his own axis and must also keep you from tripping over yourself.

Always remain grounded, never fall into the step.

Don't take too long of a step or you will not feel grounded at all to your leader and you my hurt someone that you are unaware of, that the leader is aware of.

Don't block your leader on the open side by keeping your arm too stiff, this is gentle embrace, Not an inflexible frame.

Stiff tight legs are hard and nasty and don't feel good to dance with, and will block a lot of possibilities. Relaxed legs are soft and feel wonderful to dance with and they will react to the lead in the way that the leader intends.

Better to be a little behind the beat than ahead of the beat.

Keep a good spiral in the body by remaining relaxed everywhere, feel your core muscles stretching rather than tightening.

Keep your own axis unless the leader takes you off of it by stretching or compressing the embrace, at that point use these counter acting forces to maintain an equilibrium these forces when applied must balance each other out or the whole thing will go off axis, it would be very embarrassing to fall over (trust your leader and make sure that he can trust you not to apply more force than is given) your leader is not there to help you keep your balance unless he takes you off of it nor are you there to help him keep his.

When taking a step be confident that you are doing what you felt (you probably are) and make a good quality step, getting your weight at least over your hip joint, if it feels as if the leader is trying to dance the Phrase, go with it smoothly, a jerky stuttering step is usually not what we are going for.

(If anyone sees something that is completely wrong with the things I have written please let me know so that I don't get too far in the wrong direction)

Tuesday, November 10, 2009

Tango Compared to Kissing

Kissing can be an art in itself. There are a number of people in this world that can rock your world with only a kiss. Unfortunately there are also many people in this world that, well, they suck at kissing.

How do you tell someone that they kiss like a fish/your grand mother/a nun/your dog fido/a blow up doll/a maniquin/a barbie doll/a slice of liver/a sponge/a bowl of raw calamari...etc...

You don't! you just don't kiss them EVER AGAIN.(luckily there are people in this world who have the grace and understanding to put up with some bad kissing long enough to help the guilty party overcome their ignorance, but there are limits!)

Saturday, September 19, 2009

Just Perfect!

There is this one particular follower I get to see from time to time when I venture into the Big City.

She is always very warm and welcoming whenever she notices that I am in a Milonga where she happens to be, (I've run into her in three different states, but she is always at home no matter where she happens to be dancing tango)she makes me feel like a million bucks every time.

Her dancing is always extremely connected and it seems (to me) as if we are the only two people in the room, no matter how crowded the floor is.

Sometimes she hums or sings, most of the time her breathing and heartbeat are two more instruments to dance to.

Her curves are a joy to behold and heaven to mingle with if only for a short while.

She loves the tango at least as much as I do (a quality that is truly hard to find).

These are some of the reasons I dance Tango, all wrapped up in one very impressive package.