How is this done, you ask, Welll...
Slow Down... when the music calls for it, and sometimes when it doesn't.
What do I mean....
Instead of stepping on every beat or every other beat, take a full bar, maybe two, to make a step (a whole step would be from the time a foot has zero weight on it yet is still fully extended...as it approaches the other foot...as it brushes the weight bearing foot in passing...as it reaches the fully extended position with the ankle relaxed so that the the sole of the the foot is nearly parallel with the floor...as the heel touches the floor...as the weight slowly begins to transfer to the new foot...as the weight begins to roll forward to the new foot and roll off of the old foot...as the weight finally is completely over the new foot and the old foot is still fully extended yet bears no weight).
This will give her a chance to express herself musically, with adornments, foot taps, lapiizes, traspies, or give her the opportunity to make the same type of slow motion step that you are making if that's what she wants...
The point is give her a voice in the dance (more often than not she is a much better dancer than you are)
I consider it a compliment when a follower that hasn't been dancing much starts getting lots of tandas after we dance.
Tuesday, April 20, 2010
Give Her a Chance to Shine
Labels:
movement,
musicality,
Tango Epiphanies,
technique,
Thoughts on tango
What's missing in Many Peoples Tango
This may be one of the things that make Tango so rewarding to me personaly, and I've noticed that many people treat tango as something like work.
Play!
Play!
Labels:
Tango Epiphanies,
Thoughts on tango
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